Cinema and classic literature have been inextricably linked for many decades. It started as soon as the first primitive films appeared and cinematography began to take its first steps. Classical literature itself is a mainstay and has not lost its relevance over the centuries, continuing to influence our society to this day. The push to develop the film industry has only emphasized the importance of classical literature and its universal application. Classic literary works began to be adapted to the screen format. To the surprise of many, the classics have become an excellent basis for many box-office and successful not only movies, but also TV series.
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Adapting Literature to Film
When adapting classics in modern cinematography, there is a problem of preserving the author’s vision and atmosphere of the work when transferring it to the screen format. Here it is important to take into account the requirements and limitations that the cinematic format has. It depends directly on the art and talent of the director, who must find the necessary balance between preservation and the necessary changes that adapt the story into a screen product interesting to a wide range of viewers, which will pay off for the movie as a whole. Because of this, we can point out that classic novels are quite often reworked to fit modern trends and standard movie-making techniques.
Creative Approach to Adaptation
The most important thing in this process is the creativity of the director and screenwriter as leaders in this process. Of course, it is important to cast actors who play complex characters, but their role pales in comparison to that of the director himself. We can see a similar thing in the movie “The Great Gatsby” with Leonardo DiCaprio from the world famous Francis Coppola. Successfully using modern visual effects, as well as selecting the necessary scenery and costumes, together with the cast managed to create a real masterpiece, screening one of the greatest works of classics.
Cinema is not a rival to reading and classical literature. On the contrary, it is a helper, and with the successful work of the director and screenwriter, it will help not only to restore interest in the forgotten classics, but also to introduce them to a wider range of readers.
